In the spring of 1882 Monet settled in the seaside resort of Pourville-sur-Mer, where he wrote to his future wife, Alice Hoschedé, "How beautiful the countryside is becoming, and what joy it would be for me to show you all its delightful nooks and crannies!" In Cliffs at Pourville the artist's calligraphic brushwork creates the suggestion of movement; the short, curving strokes of the woman's wind-tossed hair and swaying foliage giving way to the long, flowing contours of the second hill. The eye progresses into the painting through a succession of jumps from one overlapping plane to the next, entering at the warm, roughly-textured foreground and leaving through the soft blue-gray vanishing point where the ocean meets the sky. By this subtle yet deliberate use of color, texture and perspective, Monet creates the impression of a spacious and airy terrain.

• Archival Inkjet on Fine Art Paper : Matte Finish, Textured Surface.
• Specialized pigment inks yield rich, lasting color.
• Fine art paper affords much greater detail than canvas.
• White borders leave space for matting and framing.
• Respects the artist's vision - no arbitrary cropping or distortion.

Archival Inkjet on Fine Art Paper : Matte Finish, Textured Surface.Renfield's